Words Facing West


Stories steeped in themes of home, place and belonging, a mixed-blood identity, mixed roots, and a connection to the landscape. 
 

"If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive." —Barry Lopez, in Crow and Weasel

Books by Terra Trevor, and anthologies containing her work

University of Nebraska Press

We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

Nominated for the 2023 Electa Quinney Award for Published Stories administered by the Association for the Study of American Indian Literatures (ASAIL).

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University of Nebraska Press

Harvard Book Store, Strand Books, Green Apple Books

Pegasus Bookstore, Bookshop Santa Cruz, Chaucers Books

Barns & Noble, Bookshop, Amazon


 
KAAN: Korean Adoptee Adoptive Family Network

"Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." 

—Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education

University of Nebraska Press

Unpapered, edited by Diane Glancy and Linda Rodriguez, is a collection of personal narratives by Indigenous writers exploring the meaning and limits of Native American identity beyond its legal margins. 

University of New Mexico Press 
 
Tending the Fire by photographer Christopher Felver with an introduction by Linda Hogan and a foreword by Simon J. Ortiz, celebrates the poets and writers who represent the wide range of Native American voices in literature today. In these commanding portraits, Felver’s distinctive visual signature and unobtrusive presence capture each artist’s strength, integrity, and character. Accompanying each portrait is a handwritten poem or prose piece that helps reveal the origin of the poet’s language and legends.

The University of Arizona Press 

Children of the Dragonfly, edited by Robert Bensenis the first anthology to document this struggle for cultural survival on both sides of the U.S.-Canadian border. Invoking the dragonfly spirit of Zuni legend who helps children restore a way of life that has been taken from them, the anthology explores the breadth of the conflict about Native childhood. Included are works of Joy Harjo, Sherman Alexie, Eric Gansworth, Terra Trevor and others. They take readers from the boarding school movement of the 1870s to the Sixties Scoop in Canada and the Indian Child Welfare Act of 1978 in the United States. They also spotlight the tragic consequences of racist practices such as the suppression of Indian identity in government schools and the campaign against Indian childbearing.


University of Oklahoma Press 

Native literature, composed of western literary tradition is packed into the hyphens of the oral tradition. It is termed a “renaissance” but contemporary Native writing is both something old emerging in new forms and something that has never been asleep. The two-hundred-year-old myth of the vanishing American Indian still holds some credence in the American Southeast, the region from which tens of thousands of Indians were relocated after passage of the Indian Removal Act in 1830. Yet, a significant Indian population remained behind after those massive relocations. This is the first anthology to focus on the literary work of Native Americans with ancestry to “people who stayed” in southeastern states after 1830 and represents every state and every genre. Edited By Geary Hobson, Janet McAdams and Kathryn Walkiewicz.

A Raven Chronicles Anthology

Take a Stand: Art Against Hate, contains poems, stories and images from 117 writers, 53 artists, divided into five fluid and intersecting sections: Legacies, We Are Here, Why?, Evidence, and Resistance. We begin with Legacies because the current increased climate of hate in this country didn’t begin with the 2016 election, and to find its roots we must look to U.S. history.

Fulcrum Publishing

Writers from around the world were asked to consider the devastating nature of conflict-inner wars, outer wars, public battles, and personal losses. Their answers, in the form of poignant poetry and essays, examine war in all its permutations, from Ireland to Iraq and everywhere in between, this moving anthology encompasses a wide range of voices. Edited by MariJo Moore.


Johns Hopkins University Press 


INDIGENOUS THOUGHTS CONCERNING THE UNIVERSE
Renegade Planets Publishing

"All the tribes say the universe is just the product of mind... It fits perfectly with the quantum. Indians believe the universe is mind, but they explore the spiritual end of it, not the physical end." —Vine DeLoria Jr.


Gunpowder Press

California Poets at 60 and Beyond Edited by Diana Raab & Chryss Yost 

Women in a Golden State includes poems and micro-essays from across California, ranging from awarded Poets Laureate to writers who are finding new forms of expression. The collection examines the mythology and reality of being a woman of a certain age, especially in youth-obsessed California, inviting its readers to reconsider aging not as an end, but as an ongoing journey—one filled with beauty, strength, and boundless possibilities.

MIXED ROOTS
WRITERS ON MULTIRACIAL IDENTITY & BOTH/AND BELONGING
Beacon Press-Penguin Random House, coming October 2026 
Edited by Anne Liu Kellor 
 
Mixed people carry lifelong embodied knowledge about existing in non-binary, intersectional worlds. Mixed Roots complicates the narrative around race and identity—dispelling narrow ideas that there is ever one “right” or singular way for folks to identify. 
 
Born out of a community of writers formed through editor Anne Liu Kellor’s annual writing workshop, Mixed Roots collects 29 essays (plus additional resources) infused with a deep examination of privilege, microaggressions, whiteness, ancestral trauma, internalized racism, history, and paradoxical truths—going beyond common tropes found in many mixed-race narratives. 
 
We all carry in our bodies the historical legacies, confusion, trauma, and harm caused by racialized experiences—Mixed Roots says we are multilayered, not easily defined or contained by one story, and as such, can speak to us all.

You Who Are In My Stories


Photo Credit: Paul Wellman

Tomorrow they will hold a memorial service for you in the beautiful grove where we celebrated your 80th birthday. I’m sad I can’t travel to celebrate your life on earth with all of our friends. Some of our other friends also cannot travel to be there. And yet in the ways of our ancestors, and all things that never die, we will be there, we will all be there together holding space for you, not in flesh and blood, but of souls and songs. 

You who are in my stories, you made your transition and have walked on. As you know, my stories are not only about me, they are also about you, and our friends whose lives are braided with mine, defining it, and shaping me. 

In my stories I've offered a measure of privacy with some name changes. But what has not changed is the love and time you gave. I’m holding the love and the gift of your time, helping me give to others. 
 
This morning the ocean is reflecting the sunlight and is shining like thousands of diamonds. My grandson and I walked for 2 miles along the sand, exploring, looking for seashells rounded smooth by the waves. It was a good day for collecting driftwood too. In my mind I brought you along with us on our walk. The bits and pieces of shells we picked up would delight you, perfect for art projects. You will also be happy to know I’m wearing the beaded medicine pouch you made for me twenty-five years ago. So please know I am protected. If I forget to put it on in the morning I hear your voice, reminding me. Your beadwork lets me feel close to you, and reminds me of all our years and great times together, the lessons you gave, and the way you believed I could, and taught me how. 
 
Sage down, and prayer up. The sunrise singers have come for you. A high sweet trill of voices, abalone beads swaying, carrying songs from the ancestors. I'm pretty sure the sunrise ceremony now rides in my heart, and is carrying me. 
 
I love you my friend, auntie and sister. 
  
Gratitude, Respect, Caring, Compassion, Honesty, Generosity, Wisdom.

Donadagohvi. Until we meet again. 

We Who Walk the Seven Ways: A Memoir (University of Nebraska Press)

We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

Nominated for the 2023 Electa Quinney Award for Published Stories administered by the Association for the Study of American Indian Literatures (ASAIL).

BUY NOW: SUPPORT INDIE BOOKSTORES

University of Nebraska Press

Harvard Book Store, Strand Books, Green Apple Books

Pegasus Bookstore, Bookshop Santa Cruz, Chaucers Books

Barns & Noble, Bookshop, Amazon